Events
Sunday, 11 January 2026 | 2–5 pm
Śāstric Principles and Contemplative Motifs of Ajanta
An academic talk and hands-on workshop exploring Ajanta’s contemplative art traditions.
Ms. M. Jindal, artist-educator, will present an illustrated talk on Śāstric principles of Tāla–Māna / Pramāṇa, focusing on proportion, rhythm, and measurement.
Sindhu Saraswathy, artist, researcher, and author of four books on Ajanta, will lead a contemplative drawing workshop inspired by Ajanta motifs and ceiling compositions.
The session offers a slow, reflective alternative to contemporary image culture, rooted in classical Indian aesthetics.
Dec 12 from 6:30pm to 8pm GMT
Lecture-Demonstration: Ajanta’s Feminine Essence Symbolism & Sensory Depth
This immersive session offers a captivating look at the feminine form in the Ajanta cave paintings (c. 100 AD)—masterpieces that blend spiritual depth with poetic beauty. Through a curated timeline of key figures—queens, maidens, and apsaras—we explore how Ajanta artists evoked mood and meaning through stylised line, gesture, and vivid metaphor.
Slanted eyes, graceful curves, and expressive hands are decoded through poetic similes: lips like bimba fruit, fingers like lotus petals, shoulders echoing elephant strength. The feminine is not just sensual, but spiritually resonant—reflecting a world where monastic stillness meets royal elegance. The session begins with a brief talk by Ms Ketki Mahajan, SOAS-trained art historian and Indologist, setting cultural and visual context. This is followed by a narrated video demonstration by Dr Sindhu Saraswathy Bhaskaran, NHS consultant, artist, and educator. She sketches key figures while unpacking the visual language of Ajanta—form, gesture, and symbolism.
This is a presentation-based session, not hands-on.
If time permits, participants may sketch one figure in response.
Perfect for artists, students, and art lovers curious about the feminine divine in Indian art.
Saturday, Nov 15 from 2 pm to 5 pm GMT